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Will Eisenmann (3 March 1906 in Stuttgart – 20 August 1992 in Canton of Lucerne) was a German-Swiss composer. His opera ''Der König der dunklen Kammer'', based on a work by Rabindranath Tagore, won the Emil Hertzka Prize. ==Selected works== ;Stage * ''Der König der dunklen Kammer'', Opera in 13 Scenes, op. 12 (1934–1935); words by Rabindranath Tagore * ''Bethsabé'', Drama-Pantomime-Oratorio in 3 scenes for tenor, baritone, speaking voices, actors, pantomimists and orchestra, op. 17 (1936); libretto by André Gide * ''Leonce und Lena'', Lyric Comedy in 3 acts for 7 soloists, 5 speaking parts and a large orchestra, op. 36 (1943–1945); libretto by Georg Büchner ;Orchestral * ''Die Stadt'' for string orchestra, op. 7 (1932–1933) * ''Primavera española'', op. 10 (1934) * ''Die gläserne Wand (Davoser Impressionen)'' for small orchestra, op. 11 (1934) * ''Musique en forme de spirale'' for small orchestra, op. 18 (1937) * ''Trauermusik (Epitaphe pour Maurice Ravel)'', op. 21 (1938) * ''Sieben Bilder nach Vincent van Gogh'', op. 22 (1938) * Symphony for string orchestra, op. 42 (1947) * ''Musica concertante'', op. 96 (1977–1978) ;Concertante * Concerto for alto saxophone and orchestra, op. 24 (1938) * ''Concerto da camera'' for alto saxophone and string orchestra, op. 38 (1945) * Concerto for soprano and alto saxophones and string orchestra, op. 69 (1962) * ''Konfrontationen'' for flute and orchestra, op. 85 (1972) ;Chamber music * ''Concertino'' for violin (or flute) and piano, op. 8 (1933) * ''Quartetto mistico'', String Quartet No. 1, op. 23 (1938) * ''Kleine Ballade / Nevermore'' for alto saxophone and piano (or organ), op. 28 (1940) * ''Duo concertante'' for alto saxophone and piano, op. 33 (1941, 1957) * ''Trio pastorale'' for violin, viola and cello, op. 37 (1942) * ''Ballade No. 1'' for flute and piano, op. 53 (1952) * ''Concertino'' for cello and piano, op. 54 (1953) * ''Divertimento'' for 2 clarinets and bassoon, op. 55 (1954–1955) * ''Musik'' for viola and piano, op. 60 (1957) * ''Musik für Flöte und drei Streicher'' for flute, violin, viola and cello, op. 61 (1959) * ''Lamentatio. In memoriam Clara Haskil'' for flute, violin and piano, op. 65 (1960) * ''Movements'' for alto saxophone and piano, op. 68 (1961) * ''Ballade No. 2'' for flute and piano, op. 74 (1964) * ''Duo'' for flute and harp, op. 79 (1970) * ''Meditationen'' for flute and organ, op. 88 (1975) * ''Capriccio'' for tenor saxophone and piano, op. 92 (1977) * ''Mouvements concertants'' for trumpet and organ, op. 95 (1977) * ''Improvisation I'' for flute solo, op. 94 (1977) * ''Improvisation II'' for flute solo, op. 107 (1977) * ''Divertissement'' for 2 violins, op. 98 (1978) * ''Quartetto brevis'' for string quartet, op. 99 (1978) * ''Evocation'' for flute and organ, op. 100 (1980) * ''Spiel zu dritt'' for flute, oboe and bassoon, op. 105 (1983) * ''Impression'' for clarinet solo, op. 108 (1984) * ''Metamòrfosi'' for oboe solo, op. 109 (1985) ;Organ * ''Fantasie I'', op. 45 (1948) * ''Fantasie II'', op. 77 (1966) * ''Toccata'', op. 90 (1976) * ''Reflessioni'', op. 93 (1977) * ''Praeludium'', op. 97 (1978) * ''Fantasie III'', op. 106 (1983) ;Piano * ''Kleine Suite'', op. 6 (1932) * ''Nocturne'', op. 15 (1935) * ''Suite der Gegensätze'', op. 51 (1949–1951) * ''6 Etüden'', op. 57 (1954–1960) * ''Konstellationen'', op. 66 (1960) * ''Varianten'', op. 71 (1962) * ''Kleine Klavierstücke'', op. 78 (1954–1974) * ''Trois Images'', op. 80 (1970) * ''Trois Esquisses'', op. 82 (1971) ;Vocal * ''Drei Gesänge aus Seraphine'' for high voice and small orchestra, op. 16 (1936); words by Heinrich Heine * ''Es Wiegeliedli'' for voice and piano, op. 30 (1940) * ''Hesse-Lieder'' for voice and piano, op. 32 (1936–1940); words by Hermann Hesse * ''Rubaiyat'', 2 Song Cycles for voice and piano, op. 35 (1939–1943); words by Omar Khayyám * ''Gesänge im Zwielicht'' for voice and piano, op. 39 (1945); words by Rainer Maria Rilke and Anette Brun * ''under der linden'' for voice and piano, op. 44 (1948); words by Walther von der Vogelweide * ''Alkestis'', Dramatic Scene for high voice and large orchestra, op. 46 (1948–1949); words by Rainer Maria Rilke * ''Marienlegende'' for high voice, viola and piano, op. 50 (1950); words by Klabund * ''Der Teppich des Lebens'' for voice and piano, op. 52 (1951); words by Stefan George * ''Sänge eines fahrenden Spielmanns'' for alto, viola and piano, op. 56 (1954); words by Stefan George * ''Gesänge des Abschieds'' for voice and piano, op. 58 (1955); words by Georg Heym * ''Sechs Gesänge nach Gedichten von Urs Oberlin'' for medium voice and piano, op. 59 (1956); words by Urs Oberlin * ''Acht Gesänge nach Gedichten von Astrid Claes'' for alto and piano, op. 62 (1959–1960); words by Astrid Claes * ''Haiku I. Melodien nach japanischen Dreizeilern'' for high voice and piano, op. 64 (1960) * ''Legende von der Entstehung des Buches Taoteking'' for medium voice and piano, op. 70 (1962); words by Bertolt Brecht * ''Der blinde Passagier'' for voice and piano, op. 75 (1964) * ''Haiku II. Melodien nach japanischen Dreizeilern'' for high voice and piano, op. 83 (1971) * ''Haiku III. Melodien nach heiter-ironischen japanischen Dreizeilern'' for medium voice, oboe and piano, op. 86 (1973) * ''Gesänge zur Nacht'' for alto and organ, op. 91 (1976); words by Georg Trakl * ''Gesänge nach Worten von Linus David'' for medium voice and piano (or organ), op. 102 (1981); words by Linus David ;Choral * ''Mallorca-Suite'' for mixed choir, op. 13 (1936) * ''Die Klage Hiobs'' for baritone, mixed choir, children's choir and large orchestra, op. 49 (1950) * ''Threnoi'' 4 Madrigals for vocal ensemble, op. 67 (1961) * ''Aus canto 81 (Pisaner Gesänge)'' for six-part mixed choir, op. 73 (1963);; words by Ezra Pound * ''Der heilige Martin von Tours'', Motets for vocal ensemble or four-part mixed choir, op. 89 (1975); words by the composer 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Will Eisenmann」の詳細全文を読む スポンサード リンク
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